Thursday, July 26, 2012

Play me, I'm yours



Over the course of the past few weeks, I have found myself wandering over to the boardwalk to sit near the piano that mysteriously appeared at harbourfront centre not too long ago. A brief message scrawled above the keys reads: "play me, i'm yours"....
It has proven to be a really enchanting experience to sit and listen everyday, as I watch people interact with the object and eachother, while eating my lunch.
I remember a few years back, there used to be a piano at the bar I worked at, and while drunk people slamming on the keys and playing chopsticks was always a point of tension for everyone around... I have found it to be a really haunting experience to sit by the lakeside and listen to people keying away at the piano in song.
One thing that has really struck me with each new visit, is the diverse range of people who can play, from old to young, across culture and status, it just goes to show just how much music really does reach people.





Play me, I'm yours is a project that was initiated in 2008 by British artist Luke Jerram, involving 15 pianos distributed across Birmingham, England over the course of three weeks.
Since then the project has gained in popularity, spreading to cities that include Sao Paulo, New York, Paris, London, Sydney and Toronto!!
For the project, a number of local artists have been recruited to paint each of the 41 pianos across the city, before dropping them off in diverse locations that include: Pearson Airport, the CN Tower, the Distillery and even a Toronto Island ferry- with a special player piano that is rumored to be playing Barry Manilow on loop.
While there is surplus of access to pianos across the city this summer, I am really regretting the fact that I never learned how to play, but for now I can be satisfied with just sitting by and listening quietly.


 





Wednesday, July 4, 2012

1812 - 2012: A Contemporary Perspective

Over the course of the past month, the city of Toronto and its various arts and cultural institutions have focused on presenting a series of events in commemoration of the bicentennial of the War of 1812. From a free concert by the Toronto Symphony Orchestra to a light show on the CN Tower to a 200-tent art installation and multiple free concerts at Fort York National Historic Site; a diverse mix of historic and contemporary events have been staged across the downtown core.
With the majority of events occurring in mid-June and Canada day now passed, here is a last chance opportunity to still check out one such event - an exhibition of five artists that responds to and explores themes surrounding the War of 1812. This exhibition, at York Quay Gallery will be open until Sunday, July 15th. Here is an interview with curator Pat Macaulay and a brief excerpt on the show.



















1812 - 2012: A Contemporary Perspective

Time passes slowly. How we remember and how we understand the past is always in question. This exhibition invites five contemporary artists to explore the War of 1812 through its historical complexities and bring forward a contemporary perspective. These artists are both emerging and established and work in a variety of materials (sculpture, video, photography, installation and textiles).

Participating artists: Thea Haines, Keesic Douglas, Meryl McMaster, Mark Kasumovic, Robert Hengeveld
Curated by Patrick Macaulay.

Produced in partnership with City of Toronto, Museum Services, as part of a citywide programme for the Bicentennial Commemoration of The War of 1812.



Robert Hengeveld - dead or alive


























Keesic Douglas - Warrior's Path- marking the trail


















Thea Haines - Field Dress


 

























Meryl McMaster - becoming Laura
























Mark Kasumovic




Wednesday, June 27, 2012

TO DO Auction ~ TONIGHT!

Wednesday, June 27th, 6-10pm
2nd Floor gallery, Gladstone Hotel, 1214 Queen st w.

**bidding closes at 9pm**

TOnight! Pop by the Gladstone Hotel and put your bid down for a selection of designed and hand-made objects by both notable and up-and-coming Toronto craftspeople and designers!!! #StufDsgnrsMake is the first annual silent auction put on by Toronto Design Offsite, in an ongoing effort to help continue funding this local design initiative. TO DO (for short) is a self-produced, indie design festival happening annually in January over the course of Toronto Design Week. You can check out my previous coverage of DO West Design which happened this past January, here. Come out and see what local designers are making! If you can't attend the auction but still want to show your support, you can help by donating online here.

Here is a selection of some of my favorite works up for bid tonight!!!



Bev Hisey - Pixel Cube

























Lana Filippone - 'the embrace'
























Kristen Lim Tung - vessels


 

































Tinsel & Sawdust - Aluminum bottles

Wednesday, June 20, 2012

Uppercase Magazine: Issue #11










I am writing this post in retrospect almost a year later.... after the recent birth of my friend's first child....
I first met Maria Felix while teaching a silk screen printing class out of my studio at Harbourfront Centre. Looking back upon this three-year position (that has recently ended) I am amazed at all of the wonderful and lasting friendships and opportunities that I have had over the course of the past three years.  
Upon my first introduction with Maria, amongst an oddball group of students, the two of us hit it off immediately! The class was situated during an insane time in my life, while I was in the midst of frantically learning to work in ceramics for a rapidly approaching deadline, and preparing to travel to Australia for the opening of my work in the Love Lace exhibition at the Powerhouse Museum.

The first night of our class, Maria and I had chatted about art, ideas, and the letterpress workshop she had recently taken at Bookhou, and I decided to ask her for some feedback on a project I was currently working on...
Upon seeing my work, she was interested in writing an article on her blog about it and asked me if that would be something I was interested in.
Of course, I said!
Not long after our five week class ended, she had contacted me with the idea of pitching it as an article to Uppercase Magazine, and sure enough the editor was thrilled!
After much planning, we met up with a photographer, who by some unusual circumstance I found out I had already known for years... and all of the pieces began to fall into place.
We met at my house on a hot sunny morning in July and began rearranging the space into what would be my ideal studio, (if only i had the room for it!) before beginning the process of documenting the story ...
I just wanted to take this opportunity to say a big congratulations to Maria and her new little bundle of joy, and to thank her and Natasha Bardin for putting together such a lovely article, almost a year ago now.
Uppercase is a beautiful magazine, please feel free to flip through and check out the magazine, as well as the article beginning on page 82. I hope you enjoy!

















































Lace Flag: Up up and Away...


What a week! Unfortunately I just got word that my Lace Flag has been lifted from the flagpole at Jarvis and Wellesley, before I had the opportunity to even photograph it!
I'm feeling a little upset about the disappearance, but found out I will be making a series of four more flags for the Lillstreet Arts Centre, Rooftop Flag Installation Project coming up in Chicago!
You can find more information about the Lillstreet project here as well as below, and a post about my flag on the Tel-Talk blog here.





Wednesday, June 13, 2012

Fall 2012 Exhibitions and More!

Looks like the fall is shaping up to be an extremely busy season for me, with three shows already lined up and a couple more I am waiting to hear back from!!! This November I will be participating in two separate exhibitions as a part of the World of Threads Festival, you can find an interview I recently did with them here.
The first exhibition, entitled De rerum natura (On the Nature of Things) is a part of the World of Threads -Common Thread International exhibition, and will open at the Joshua Creek Heritage Arts Centre in Oakville, from November 2-18. This exhibition will feature the work of 35 Canadian and international artists working in fibre to create sculpture, installation and works in 2D. 
The second exhibition entitled, Interlace, deconstruct, the spaces in between will open at Telephone Booth Gallery in the junction and feature works by myself, Pam Lobb and Noelle Hamlyn. Exhibition dates to be announced shortly... 
And finally! I recently found out I was accepted into a site specific flag installation at the Lillstreet Arts Centre in Chicago! This is a seemingly perfect follow up for the flag project I just completed for Wave Your Flag, as it will give me the opportunity to expand on the work, to make a series of four.

Over the next little while I will be experimenting with new ideas and processes and also exploring ways of re-enforcing materials to hold up against the aggressive Chicago wind!!! More info and photos to come!

In the meantime, I will leave you with some images of Polychromatic dye prints I am sampling for interlace, deconstruct... enjoy!







Wave Your Flag




This week I am going to be participating in a joint exhibition between Telephone Booth Gallery and Tel-Talk, A site-specific, public art intervention project, taking place in telephone booths across the city of Toronto. The installation series will culminate in an exhibition and telephone book style catalogue which will be launched during the opening at Telephone Booth Gallery this Friday, June 15th. As a part of the site specific installation series, I submitted a Lace Flag to the Wave Your Flag project, located at the Bell telephone booths at Jarvis and Wellesley. 
Here is a bit of information about the project, with more posts on Tel-Talk to come.


















Wave Your Flag.

All citizens of Toronto and beyond are invited to hang a flag of their choosing for a two week period. An ad-hoc flag pole has been co-opted at the corner of Wellesley and Jarvis.
This project aims to animate a new form of citizen engaged public art. All are welcome to participate!

Your Flag is requested for flying !… The flag can be a political allegiance, national pride or a conceptual address on the meaning of flags, or you are welcome to interpret the platform with a personal flag of your own design and meaning. The goal of the project is not to censor the flag – rather to present the icon with respect and provide conversation on national or personal identity. The flag can be an existing flag, a hand made flag, a purchased flag, a personal interpretation of a flag. The “flag” is up to you as the participant to decide. The goal is to create dialogue at the corner of the intersection with the mark of private intention within public space. The intersection of Jarvis and Wellesley is highly trafficked by pedestrians and motorists throughout the day. All Flags displayed will be documented and presented as part of the exhibition at tel-talk.


As a response to the Wave Your Flag project, I am interested in presenting a flag that pays homage to textiles and the decorative arts, while bringing interior forms and objects into unfamiliar outdoor spaces.
By creating a lace-like flag full of holes, I am interested exploring the idea of a flag as a dysfunctional object, documenting how it responds to the forces of the environment, whether it will fly or drape delicately full of holes, and looking at the ways in which people respond to subverted textile objects as they are taken out of context and placed in new and interesting spaces.


My Lace Flag will be up at Jarvis and Wellesley over the course of the next two weeks if you would like to stop by and check it out! more photos of the installation to come!





















Monday, May 14, 2012

CNC Lace Experiment

Yesterday, I had the opportunity to learn a basic introduction to CNC technology from one of my glass studio mates Aaron Oussoren over at his new space Studio Huddle
This is something that I have been meaning to get into for a while now, as I have a number of potential projects percolating in the back of my mind. 
Here is an image of one of the lace patterns I work with carved out in a miniature relief with the assistance of the CNC machine. Im hoping to begin working with this some more in the near future, and will be sure to post new projects and samples as they are made.





Saturday, May 5, 2012

Emily Schaefer: FLOW with glass by Steven Tippin

I realize this exhibition has been over for a couple of weeks now, but I enjoyed it so much, I really wanted to share!!! Here is a look at some of the incredible works by Emily Schaefer and Steven Tippen (a former co-Sheridan grad of mine, from the glass studio) on at Telephone Booth Gallery.
Unfortunately the exhibition ended on April 28th, but you can find more of their amazing works here... and here! Enjoy!









Emily Schaefer’s work focuses on the physical application of medium to surface. Working flat, she pours, spreads, dips and manipulates fluid acrylic paint onto panels. At times this spreading carries the colour over the edge of the panel, validating it completely as part of the painting and not simply a vessel that carries it. She intuitively places each mark, layering the abstract forms, and at times adding a heavy build up of material. Her intense, minimalist paintings capitalize on the smooth fluidity of the paint, with strong contrasts in colour and surface. 

Emily Schaefer completed her Honours Bachelor of Arts - Studio Art from the University of Guelph in 2009. She won the 2009 Faculty Painting Award in the Juried Art Show, University of Guelph. She has consistently exhibited her work since graduation in numerous group exhibitions in Toronto and Guelph as well as the Toronto Outdoor Art Exhibition. This is her first solo exhibition with Telephone Booth Gallery. 





Steven Tippin’s glass works draw inspiration from grainy black and white photography, halftone print media, graphite drawings and the way paint and ink flow and pool on paper. The works are a study of the subtleties and delicate structures found in these mediums. Tippin fuses murrini (glass canes) into large, flat panels of glass creating a painterly movement and the tonal range of a charcoal drawing. The visual depth and perceived perspective that is created in his work is unexpected in a thin glass panel roughly a quarter of an inch deep.

Steven Tippin is a glass artist living and working in Wellesley, Ontario. He is currently the Vice President and the Ontario representative for the Glass Art Association of Canada. Tippin received his Undergraduate Bachelor degree in Printmaking and Sculpture from the University of Guelph in 2002. He returned to school in 2005 to study at the glass Department of Sheridan College melding his interests in printmaking and sculpture. He recently graduated from the Masters of Fine Arts program at the Rochester Institute of Technology. He has exhibited internationally and won several international awards.




Thursday, April 19, 2012

Fibreworks 2012

Just a heads up! The next call for submissions for Fibreworks 2012 is out!


















FIBREWORKS 2012
A biennial juried exhibition of Canadian fibre art
September 29 – November 9, 2012


CALL FOR ENTRY


Fibreworks, now in its 14th edition, is a biennial juried exhibition of contemporary Canadian fibre art. It is a showcase of the most current and versatile approaches to fibre as a medium in form and production. This exhibition is one of the largest group shows in Canada dedicated specifically to fibre based works and serves as a survey of the artists currently working in the medium. As many as 35 artists participate in the exhibition with works selected by an independent jury. All works selected for the exhibition are eligible for the Juror's award and may be purchased by Cambridge Galleries as part of its permanent collection dedicated exclusively to Canadian fibre art.

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Here is a link to the calls for entry submission form.
Deadline for entry is: Thursday, May 31, 2012 (postmarked).

  

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Wednesday, April 11, 2012

New on flickr

Just a quick post I wanted to share with you...
I can't believe it has taken me this long, but I've finally finished putting together all my work on flickr!
I will be posting more photos of my processes, work and exhibitions as they happen! Please feel free to pop by and have a look, or share a comment..


http://www.flickr.com/photos/lizzaston/



Monday, April 9, 2012

Swept Away: Dust, Ashes and Dirt in Contemporary Art and Design

Really wishing I could just hop on a bus right now and go see the exhibition Swept Away: Dust, Ashes and Dirt in Contemporary Art and Design, at the Museum of Art and Design in New York.
Following in the same vein as exhibitions such as Radical Lace and Subversive Knitting and Slash: Paper Under the Knife, Swept Away is the first exhibition of its scope to examine the artistic potential of ephemeral materials. 
This exhibition showcases the work of 25 international artists who transform dust, ash and dirt through the lens of both literal and abstracted interpretations into intricate and poignantly beautiful installations, sculptures, paintings, photographs and performances. The 34 featured works - 13 of which have been commissioned specifically for the exhibition, are created through the collection, removal and reconstitution of ephemeral matter, exposing, in many cases, the debris of human existence. On view from February 7th through August 12th 2012, the exhibition will include a series of 'live' installations that will allow museum goers to interact with artists and their works. Here is a brief look at some of the works in the exhibition:


Studio Glitherto - Burn Burn Burn

For Burn Burn Burn, we created a flammable paint, which in composition resembles the material of matchstick heads. The paint was invented in our kitchen and optimized with the help of the chemist.

In the work, a flame moves slowly over the wall, dances on the floor, up the chairs, down the table legs, where a trace of charred black remains. Inspired by Fred Astaire's Ceiling Dance, the flame traces a dancing path across the room, connecting and unifying objects.




Phoebe Cummings - Flora

Working predominantly in unfired clay, Phoebe constructs pieces directly on site as temporary installations or interventions within a space. In her work she explores material processes and the implications of intense labour on the temporal eventuality of the works existence. Often the pieces only come to exist as a photograph or a memory.




Elvira Wersche - Electron

Over the course of the past ten years, Elvira Wersche has been collecting coloured sands from over 600 places around the world. In her work she uses her sand samples to create a series of temporary, site-specific installations that trace-out of intricate geometric patterns and polygonal shapes across the floor.



Wersche working on an installation in progress:



Alaxandre Orion - 'Reverse Graffitti'
Soot from automobile exhaust, cleaned off of a tunnel wall in Sao Paulo.

Orion  is a Brazilian graffiti artist and photographer whose work has an intrinsic relationship with the city, either as a subject, or using it as a stage for his art. In his work he creates 'reverse graffiti' murals by selectively scraping off layers of dirt and black soot deposited on the walls of tunnels and public spaces.






Sunday, April 8, 2012

Klondike Institute of Arts and Culture


Artist in Residence Program
Last week, I managed to finally finish my application for the Klondike Institute of Arts and Culture artist residency program.
Founded in 2001, the KIAC Artist-in-Residence Program has welcomed the work of over 170 artists, musicians and filmmakers to Dawson City, Yukon.
Through the Artist-in-Residence program, KIAC aims to present an inspirational environment and culturally relevant context for artists while working on the creation, research and development of new or ongoing bodies of work.
Residency facilities are located in the famous Macaulay Residence, which like many of the buildings in Dawson City, is rumored to be haunted. Originally constructed in 1901, this 2-story home is now owned by Parks Canada as a part of the Dawson Historical Complex, National Historic Site of Canada.
The building is meant to accommodate up to two individuals concurrently. While in residence, artists also have the opportunity to facilitate outreach programs such as talks, workshops and exhibitions, intended to promote interaction and professional development, and provide access to a diverse range of contemporary arts practices and theories within the community.
I am really excited at the prospect of taking part in this incredible program. Here is a look at some artists working in paper and fibre who have recently taken part in the KIAC artist residency...


ED PIEN uses drawing, papercuts, performance and video to create large scale installations. While in Dawson, Pien will be working with students in Veronica Verkley's 2D class at the YSOVA.
Ed Pien is a Canadian artist based in Toronto. He has been drawing for nearly 30 years. Born in Taipei, Taiwan, he immigrated to Canada with his family at the age of eleven. He holds a Master of Fine Arts degree from York University in Toronto and Bachelor of Fine Arts degree from the University of Western Ontario, in London, Ontario. Ed Pien has exhibited nationally and internationally






































































CAITLIN ERSKINE SMITH
Focusing in textiles, her work incorporates traditional techniques to consider modern conflicts of identity, language and change. In her work, Caitlin hand weaves large-scale pieces that explore the challenges inherent in communication and understanding. Through labor and time intensive process, layers of text are woven together, and their legibility and meaning are obscured in the process.
During her time in Dawson, Erskine-Smith will work on a series of weavings based on letters written to family and friends, reflecting on her time spent in Dawson City.






AMANDA MCCAVOUR uses a sewing machine to create thread drawings and installations by sewing onto a fabric that dissolves in water. 
This fabric makes it possible for her to build up the thread as she sews repeatedly into drawn images so that when the fabric is dissolved, the image can hold together without a base.
For her KIAC residency, McCavour replicated a turn of the century steam pump that was left at the side of Princess Street betweenn 2nd and 3rd Avenue in Dawson City. 
Part monument, part waste, this object references a time prior to her arrival, as a relic of the machinery used during the gold mining era that made Dawson Cityfamous. Translating the heavy iron object into thread, McCavour looks at phantom views of the object, while contrasting the heavy machinery with delicate thread-work to render the machine as delicate and ghostly.